Quote for the Week

We struggle to attain the unattainable – that is what separates man from beasts.

- Nikos Kazantzakis, The Fratricides

The Fabulous World of Jules Verne

The new issue of Experimental Conversations was published yesterday. It features my review of The Fabulous World of Jules Verne. You can read it here: http://www.experimentalconversations.com/reviews/532/the-fabulous-world-of-jules-verne/

A Weekend at the Movies

One thing that no one tells you about directing your first feature (or at least, one thing that no one told me) is that it will destroy your ability to enjoy watching films. For the last month, whenever I've tried to watch films I've done nothing but think about things like headroom, continuity of lighting, and whether the focus is sharp. As a result of this I've hardly been watching anything. However, on Friday, two films that I've been wanting to see for a while played back-to-back at the Watermans, so I thought I'd take the risk and head down. Luckily, I think I'm finally over my issues and I might actually be able to enjoy films again...though unfortunately neither film on my Friday double-bill quite proved this for me.

The first was Hammad Khan's Slackistan, a film which I really wanted to love. I've been following the production since I saw a post on Shooting People seeking a sound recordist for the project. I think it was Khan's citation of The Duplass Brothers as an influence which made me interested: despite being set in Pakistan, Slackistan is an independent British film with a true indie spirit, a project which is definitely worth supporting. (Unfortunately, not many people seem to agree with this point...there was only one other person in the whole cinema. I've written on this topic before, so won't go into it again here, but come on people, really...). Regrettably, if I'm honest, I found the film rather flawed, but I'd still recommend it, if for no other reason than to support the spirit with which it was made.

The second film I saw was the current arthouse favourite (and Palme d'Or winner) Uncle Boonmee Who Can Recall His Past Lives. Although I found the film beautifully captivating, it was far from totally satisfying. Perhaps a second viewing will provide further levels of appreciation.

Uncle Boonmee Who Can Recall His Past Lives

Although my trip to the Watermans didn't prove a totally satisfying experience, it was enough to give me back the film bug. So, on Saturday morning I braved the London snow and arrived at the Empire in Leicester Square bright and early for the Show Film First Online Opinion Formers Showcase. The day started with a batch of trailers for films coming out early next year, which I found a rather depressing experience... Based on this evidence, 2011 will not be a vintage year for (mainstream) film.

The two preview screenings of the day (only revealed once we were all seated) turned out to be The Next Three Days and TRON: Legacy. The first proved to be an engaging, tense thriller, if also something of a missed opportunity. Dealing with the life of John Brennan (Russell Crowe) after his wife (Elizabeth Banks) is sent to prison for murder, the film soon shifts gear from psychological portrait to a far less interesting man-with-a-plan crime drama. Dramatically it rattles along and, despite some dubious morality and nonsensical moments, it manages to engage the emotions to a successful degree...but it all just somehow feels rather shallow and forgettable. Which, when one thinks about it, makes perfect sense for a film directed by the man who brought us Crash...

It's fair to say that there also wasn't much intellectual depth to TRON: Legacy, but I doubt that that was ever the point. One part Wizard of Oz, one part Star Wars, one part Running Man, and two parts Jeff Bridges, the film never feels particularly original, but is never much less than good fun. I still don't buy into the whole 3D thing, but beyond that the film is visually impressive and emotionally involving, and sustains enjoyment throughout its runtime. It's not a masterpiece by any stretch of the imagination, but it's a good, solid ride all the same.

Theorem

Thanks to the magic of DVD, I was able to round the weekend off with a viewing of Pasolini's Theorem... a film I'll need to think about more before commenting on properly, but which is certainly something altogether very different.

So, while I might not have seen anything which really blew me away this weekend, at least I have rediscovered the joy of watching films. I was getting worried for a while there.

Quote for the Week

'"Do your best to sit through to the end," requested Mr [Woody] Allen before the show. "If you don't, I understand. I won't mind. I'll be on the plane back to New York." He paused before explaining: "I've seen it before, I know how it ends: low grosses". From Smell the concrete by Tom Charity in Sight & Sound November 2010.

Taking the Plunge

I was recently asked by Marvin over at Directors Notes to write a piece about the experience of directing my first feature. You can find the finished result here: http://www.directorsnotes.com/2010/11/18/life-just-is-taking-the-plunge/.

Life Just Was

It's been a crazy few weeks since my last post, but yes, Life Just Is has now wrapped! I've been blogging about it all at length elsewhere, so I won't go into details here, but I thought I would cross-post some of the 35mm photographs that I took on set, as it felt somewhat appropriate to include them on here too (those interested can see the full set at http://www.facebook.com/album.php?aid=251446&id=74928943075). Enjoy.

Jack Gordon - 'Pete'.

Fiona Ryan - 'Claire'.

Nathaniel Martello-White - 'Tom'.

Will De Meo - 'David'.

Paul Nicholls - 'Bobby'.

Jayne Wisener - 'Jay'.

Niall Phillips - 'Ollie'.

Rachel Bright - 'Anna'

Andrew Hawley - 'Nick'.

Alix Wilton Regan - 'Zoe'.

Jason Croot - 'Walahfrid'.

Gillian Wisener - 'Beth'

Christine Hartland, Executive Producer

Alice Caronna, 1st AD

Niina Topp, Production Designer

Yosuke Kato, cinematographer, Alice Caronna, 1st AD and Tom Stuart, producer.

Alex Barrett, writer/director, as photographed by Jayne Wisener.

Tom Stuart, producer.

Well, it's finally here

I'm aware that I've been totally neglecting this blog recently. I've not given up with it, I've just been working flat out on my debut feature, Life Just Is, which starts shooting on Monday. It's been a hectic few weeks, but everything has fallen into place. Our shooting schedule is tight so I'm sure I've got a rough few weeks ahead, but I have a great cast and crew on board and I'm very excited about it. We'll be posting regular updates throughout the shoot on our blog, YouTube Channel, and our Facebook and Twitter profiles, so please follow along. See you on the other side!