Friday, 29 January 2016

Quote for the Week

As the bee takes the essence of a flower and flies away without destroying its beauty and perfume, so let the sage wander in this life.

The Dhammapada, Verse 49. 

Tuesday, 5 January 2016

Quote for the Week

Films need people more than stories.
Landscapes also harbour emotions...
Life's details (for example, "eating") should be respected.
Music can blow like the wind through a scene.
 
- Koreeda Hirokazu, "Things I Learned from Hou" in "Hou Hsiao-hsien", ed. Richard I. Suchenski

Friday, 1 January 2016

My Top Films of 2015

For a number of reasons (but mainly the production of London Symphony), I didn't get to see a huge amount of films last year (a meagre 157, all in), but I do have the good fortune to be able to say that most of what I did watch was great. However, this might mean that 2015 was a good year for film for me, rather than a good year all round, given that over 100 of the films I saw were archive titles – my viewing preference, it would seem, remains slanted towards older films. Still, from what I saw, 2015 did offer plenty of good work, and I'm feeling much more enthused by my list of new films than I was last year. So much so, I've had to make it a 'Top 12' rather than a 'Top 10', and I suspect there are a handful of films here which will go on to become future favourites of mine.
 
I suppose it might be worth commenting in passing on some of the more obvious omissions from this list (e.g. Carol, Hard to be a God, A Girl Walks Home Alone At Night, Star Wars: The Force Awakens) – well, quite simply, I prefer the films listed below. Inside Out just missed out, and I've not yet seen Horse Money or Eden, which I suspect would have been strong contenders.
 
I've also not listed German Concentration Camps Factual Survey. This is partly because I wasn't sure which list to include it in (old or new), and also because it's in a league of its own. Perhaps the most vital and powerful film I saw all year, it somehow lies outside the boundaries of cinema itself. Maybe I'll write more on this another time.
 
Finally, I'd like to give a special mention to The Knick – also not cinema, but the best piece of television I've seen in quite some time.
 
Anyway, here are my lists: as always, directors' names will take you to their IMDb pages, and I've limited myself to one film per director in each list.
 
My Top Films of 2015
01) Miss Julie (dir. Liv Ullmann)
02) La Sapienza (dir. Eugène Green)
03) The Assassin (dir. Hsiao-Hsien Hou)
04) 45 Years (dir. Andrew Haigh)
05) Paradise in Service (dir. Doze Niu)
06) Mad Max: Fury Road (dir. George Miller)
07) Clouds of Sils Maria (dir. Olivier Assayas)
08) Birdman (dir. Alejandro González Iñárritu)
09) Crimson Peak (dir. Guillermo del Toro)
10) Last Days in the Desert (dir. Rodrigo García)
11) Magic Mike XXL (dir. Gregory Jacobs)
12) Minions (dirs. Kyle Balda and Pierre Coffin)
 
The Best Films from Previous Years that I Saw for the First Time in 2015
01) The Children are Watching Us (1944, dir. Vittorio De Sica)
02) A Summer at Grandpa's (1984, dir. Hsiao-Hsien Hou)
03) Salt for Svanetia (1930, dir. Mikhail Kalatozov)
04) Passenger (1963, dir. Andrzej Munk)
05) Key Largo (1948, dir. John Huston)
06) Ace in the Hole (1951, dir. Billy Wilder)
07) Annie Laurie (1927, dir. John S. Robertson)
08) Melodie der Welt (1929, dir. Walter Ruttmann)
09) The Driver (1978, dir. Walter Hill)
10) The Last Command (1928, dir. Josef von Sternberg)
11) The Illusionist (2010, dir. Sylvain Chomet)
12) Bunny Lake is Missing (1965, dir. Otto Preminger)

Thursday, 17 December 2015

Quote for the Week

'It is a most wonderful comfort to sit alone beneath a lamp, book spread before you, and commune with someone from the past whom you have never met' - Kenkō, page 8, A Cup of Sake Beneath the Cherry Trees.

Tuesday, 30 June 2015

Edinburgh International Film Festival 2015

Well, it's that time of year – another EIFF has been and gone. Just two pieces from me this year, both for Directors Notes. You can read them here:
 
 
 

Wednesday, 1 April 2015

LIFE JUST IS – Now Available in USA & Canada!

Although this blog was intended as a space for me to post original content, rather than simply writing updates about my filmmaking endeavours, it nevertheless seems to have become somewhat customary for me to announce major news here (albeit usually - as now - a little too after-the-fact for it to really be considered 'news'). Still, it does feel worth mentioning that my debut feature, LIFE JUST IS, is now available to watch in the US & Canada. You can find more information about the release, and watch the film, here.
 
In all honesty, I'm too busy with LONDON SYMPHONY to have much involvement in the release, so I've been leaving it up our Assistant Producer Roland Holmes - but from what I can tell, it seems to be going well. We even had a nice review from Matt Fagerholm of The Ebert Company.
 
It's been three years since I finished LIFE JUST IS, and I now feel somewhat removed from the film. I still feel proud of it, but I certainly recognise the mistakes that I made and the flaws that the film has. In all, the film feels very much like the result of my early twenties and I hope that, as I head towards my early thirties, my work will find a new level of creative maturity and cohesion. But I also hope that new audiences will continue to discover LIFE JUST IS, imperfect though it is. A lot of blood, sweat and tears went into the making of it and, for that reason alone, the film will always be a big part of me.

Thursday, 19 February 2015

Quote for the Week

'Until then I had thought each book spoke of the things, human or divine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then a place of a long, centuries-old murmuring, and imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treasure of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors', Umberto Eco, p286, The Name of the Rose.