Thursday, 6 February 2014

Quote for the Week

'Unlike news, there is nothing inherently valid about a 'rapid response' in film criticism, and the idea that immediacy is somehow a badge of authenticity is baloney which has probably done more to damage the art of reviewing than anything else in an entire century of cinema', Mark Kermode, p140, Hatchet Job. 

Thursday, 2 January 2014

My Top Films of 2013

2013 was, for me, a great year for film – not only was there a surplus of great new work, but my last twelve months of viewing have thrown up some truly magnificent classics (this year, my list of The Best Films from Previous Years was culled from a shortlist of over 50 excellent pictures). Perhaps it's because I found time to watch twice as many films in 2013 as I did in 2012, or perhaps I simply made better choices. Either way, I saw a plethora of great films in 2013, both old and new.
 
If I had to comment on a noticeable trend amongst the new films, it would be 'film as experience': films such as Leviathan, The Strange Colour of your Body's Tears and Gravity all seemed to place their emphasis on the visceral experience of cinema-going. In a sense, the same can also be said of Peter Kubelka's Monument Film, which may well have topped both/either of my two Top Ten lists, had I known quite how to classify it. It was certainly one of my big-screen highlights of 2013.
 
This year, My Top Films of 2013 list has been published on Filmuforia, complete with mini-reviews of each of the films. The list was written before I had a chance to see Wong Kar-Wai's scrumptious The Grandmasters, which I would have placed somewhere in the top five, had I seen it in time.
 
As for my list of The Best Films from Previous Years that I Saw for the First Time in 2013 – well, here it is. Given the stiff competition, this year these films really all do come highly recommended. As always, directors' names will take you to their IMDb pages.
 
The Best Films from Previous Years that I Saw for the First Time in 2013
01) Dr. Jekyll and Mr. Hyde (1931, dir. Rouben Mamoulian)
02) 1860 (1934, dir. Alessandro Blasetti)
03) La cicatrice intérieure (1972, dir. Philippe Garrel)
04) J'accuse (1919, dir. Abel Gance)
05) Underground (1928, dir. Anthony Asquith)
06) City Girl (1930, dir. F.W. Murnau)
07) Coeur Fidèle (1923, dir. Jean Epstein)
08) Make Way for Tomorrow (1937, dir. Leo McCarey)
09) The Legend of the Suram Fortress (1984, dir. Sergei Parajanov/Dodo Abashidze)
10) Sir Arne's Treasure (1919, dir. Mauritz Stiller)
 
Bubbling under: Die Puppe (1919, Ernst Lubitsch), Isle of the Dead (1945, Mark Robson), Diary of a Lost Girl (1929, G.W. Pabst), The Phantom of the Opera (1929, Rupert Julian) Liliom (1930, Frank Borzage), Dracula (1958, Terence Fisher).
 

Thursday, 24 October 2013

London Film Festival 2013 Coverage

As some of you will have already realised, I've spent the last four weeks ensconced at the London Film Festival 2013. My writing on the festival has been spread over four different sites and one radio station, so I thought I'd post links to all the online coverage in one place. 
 
There's still one more piece to come, an interview for Filmuforia with Hélène Cattet and Bruno Forzani, directors of The Strange Colour of Your Body's Tears, which won't see the light of day until the film is released in the UK. 
 
It's perhaps also worth pointing out that there are a few films I liked that I've not written about anywhere, so an omission doesn't necessarily equate to a negative attitude, but simply to a lack of time and space.